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The stomping results bore a striking resemblance to early garage masters such as the Sonics and the Standells, as well as proto-punks the Stooges and bedroom folk antecedent Alexander "Skip" Spence. On his solo album Lemons, however, Segall delivered a much more traditional sound, studiously re-creating '60s guitar tones and drenching his tracks in old-school reverb. When that band splintered, he struck out on his own and started cranking out lo-fi albums, beginning with a self-titled effort on Castle Face in 2008.
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With that band, he practiced a rawer, snottier take on Strokes/ Vines/ White Stripes-style rock, occasionally delving into more retro territory. Ty Segall first garnered public acclaim as the lead singer of Orange County, California garage rock revivalists the Epsilons. No matter the sonic setting, Segall's strong melodic frameworks, creative restlessness, and the infectious intensity of songs and performances are the constants in his ever-evolving discography. He even proves just as compelling when stripping back the noise and adding synths, as on 2021's Harmonizer. Depending on the album, Segall can sound raw (2016's Emotional Mugger) or refined (2013's Sleeper), and he's capable of focused one-man-band efforts (2009's Lemons) as well as sprawling and eclectic releases with a range of collaborators (2018's Freedom's Goblin). Working as a solo act and in a number of side projects, he has released literally dozens of albums since he left the Epsilons and cut his first project on his own in 2008. One of the leaders of the new psych-influenced garage rock scene that erupted in California in the late 2000s, Ty Segall has produced a catalog as prolific as it is diverse.